Discharge - fight back 7

tracklist:

01- Fight back
02- War no faitytale
03- Alwais restrictions
04- You take part in creating
05- Religion instigates

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password : punxpunx-punk

INDONESIAN PUNKS

It's after midnight in Jakarta and, below a highway overpass, a party is just getting started. Students and the unemployed are listening to well-worn cassette tapes, swigging from bottles filled with a cocktail of beer and local wine and loitering in front of Movement Records — a punk-music shop that has become a nexus for local youths. It is also home to Onie, one of Jakarta's self-proclaimed original street punks, who both works and sleeps on the premises. "It is very quiet at night," Onie says. "The shops are closed, so society is O.K. with us being here. My friends can come at night and argue, laugh and fight for as long as they want."
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Although they are from different backgrounds, Onie's cohorts all proudly call themselves punks — a name first coined 30 years ago. His gang must be one of the last anywhere in the world to use the term today, and stepping inside Movement Records is to walk into a shrine to another era. Posters and stickers of their heroes — bands from the 1970s such as the Sex Pistols, the Ramones and the Clash — adorn every inch of wall space. "Punk is about freedom," says Onie. "People can choose what they want to do and what they want to say."

When the punk movement first surfaced in England in 1977, its nihilistic posturing and contempt for cultural and pop-music traditions rattled both the social and entertainment establishments. Long after the movement petered out or became commercialized elsewhere, it took hold for the first time in Jakarta in the mid-1990s — at a time when the music's belligerence seemed to perfectly echo the hostility many young people felt toward the authoritarian regime of then President Suharto. Onie recalls listening to Guns N' Roses and boy band New Kids on the Block and never feeling a real connection with the music. "Then an Indonesian friend told me that I had to listen to Never Mind the Bollocks, Here's the Sex Pistols and I loved it," he says. Punk soon proliferated as rapidly as cassette duplicates of the albums could be made, and Onie and his friends would meet nightly at Blok M — beside Jakarta's main 24-hour bus terminal — to swap bootlegs of albums by the likes of American punk rockers the Casualties and Scottish four-piece the Exploited.

"The youth were attracted to the freedom and rebellion that punk offered," says Trax magazine's music editor, Farid Amriansyah. "They were looking for an identity and punk gave it to them." Onie's friend Aca found his mood reflected in the stark lyrics of Fight Back, the 1980 protest anthem by English hardcore-punk band Discharge: "People die in police custody/ Where's the justice in that?/ Don't see none/ Fight the system, fight back." These words directly inspired Aca to join street protests in 1998, when he was tear-gassed and bludgeoned with the butts of police rifles. "I felt so alive then," he says. "I learned from punk and I was ready to fight no matter what." Eko, the owner of another record store, Anti Music Records, and a former member of one of Jakarta's first punk bands, the Idiots, says he constantly lives by punk's rebellious code. "I am always in a punk state of mind," he declares, as if electronica or hip-hop had never happened. "Punk is better than religion to me."

Amriansyah explains that there are thousands of punks in the country. "Through an underground network of fanzines, record trading, the growth of independent distribution outlets and the power of the Internet," he says, "the scene is widely spreading to every region in Indonesia." But these days peer support, not protest, is one of the main attractions. One of Jakarta's youngest punks, 11-year-old Doing, meets up with his friends every afternoon at a playground near Blok M. With calloused bare feet and PUNK tattooed on his fingers, he survives by playing his ukulele on buses for money. "Punks are my family," Doing says.

At this family's core are the members of Marjinal, a punk band that has helped over a thousand street kids earn cash by teaching them how to busk. "Music gives these kids a way to survive, to make some kind of living," says Mike, Marjinal's lead singer. "Punk, to me, is addressing the things that are rotten in society. It tells us that we have the ability to be independent and take care of each other."

There isn't a kid at a Marjinal show that doesn't know the lyrics to every one of the songs. "How are you, everybody?" sings Mike to a crowd of around 200 children, five years old and up. "Including the one who lives under the bridge, under the heat of the sunshine, the ones that live on the streets. How are you?" The children sing along as they pile onto the stage. "Let's share the good and the bad times together!" Mike exhorts over the roar of their voices. It may be 30 years late, but for many of these kids punk is the best thing that has ever come to Indonesia.

The Casualties
Stay Out of Order (2001)

track :
1. No Way Out
2. Proud To Be Punk
3. Street Punk
4. Fight For Your Life
5. Time To Think
6. Violence
7. Same Fucking Song
8. Just Another Lie
9. Authority Is Dead
10. Preachers
11. Way Of Life
12. Society's Fodder

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The Casualties
Die Hards (2001)

track :
1. Nightmare
2. City Council
3. Ruining It All
4. Get Off My Back
5. Victims
6. This Is Your Life
7. Die Hards
8. No Turning Back
9. Can’t Stop Us
10. Mierda Mundial
11. Punk Rock
12. Divide And Conquer
13. Made In N.Y.C.

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The CasualtiesEn La Línea Del Frente
track :
1 - Casualties Armada
2 - Botas
3 - Jefes
4 - Clase Criminal
5 - Futuro Destruido
6 - Soldado
7 - Vida Perdida
8 - Punk Música Del Pueblo
9 - Control de La Prensa
10 - Guerra Y Odio
11 - Tragedia Del Amor
12 - Cerebro Lavado
13 - Rebelde de Hoy En Día
14 - Sonidos de Mi Barrio

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password: www.lawebdelpirata.ya.st

The Casualties
A Fucking Way Of Life (Ep)1994

track :
1 - Politicians
2 - Casualty
3 - 2 Faced
4 - Fuck You

download : click here!!!
password: www.lawebdelpirata.ya.st

The casualties
The Early Years 1990 - 1995 

01. Political Sin 
02. Destruction and Hate 
03. Ugly Bastards 
04. Bored and Glued 
05. Punk Rock Love 
06. 40oz Casualty 
07. Oi! Song 
08. 25 Years Too Late 
09. For The Punx 
10. Drinking Is Our Way Of Life 
11. Kill The Hippies 
12. No Life 
13. Two Faced 
14. Politicians 
15. Casualties 
16. Two Faced 
17. Fuck You All

Bonus C.D. Tracks(1990 demo): 
18. On The Streets 
19. Ugly Bastards 
20. Blind Following
21. Washed Up 
22. Don't Tell The Truth 
23. Oi! Song 
24. 40oz Casualty 
25. Rock and Roll Kids 
26. Destruction and Hate 
27. Punk Rock love

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The Casualties
For The Punx (1997)

Track :
1. Police Brutality
2. Punx and Skinz
3. Destruction and Hate
4. Two Faced
5. Chaos Punx
6. Punk Rock Love
7. For the Punx
8. Ugly Bastards
9. City Life
10. Riot
11. Casualties
12. Who's Ganna Be....

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Password: www.lawebdelpirata.ya.st

the casualties DVD
LIVE IN NEWCASTLE (1998)
Download : click here!!!

The Casualties
Underground Army:

track :
1 - Unemployed
2 - No Rules
3 - Stay Out Of Order
4 - Sell Out Society
5 - No Room For The Youth
6 - Underground Army
7 - Rejected & Unwanted
8 - American Justice
9 - Political Sin
10 - Kill Everyone
11 - Here Today
12 - Punx Unite

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Password: www.lawebdelpirata.ya.st

the casualties
made in NYC
track :
01 Casualties Army
02 On The Front Line
03 Under Attack
04 Riot
05 Fight For Your Life
06 V.I.P.
07 Ugly Bastard
08 Criminal Class
09 Punk Rock Love
10 In It For Life
11 Social Outcast
12 Made In N.Y.C.
13 Blitzkreig Bop
14 On City Streets
15 Get Off My Back
16 System Failed Us...Again
17 For The Punx
18 Tomorrow Belongs To Us
19 Unknown Soldier
20 Down And Out 
21 Punx Unite
22 40 Oz. Casualty

download : click here!!! 
password : thnopunks.blogspot.com

Cockney Rejects
Greatest hits vol. 1

tracklist:
01- Flares 'n' slippers (7º version)
02- Police car (7º version)
03- I wanna be a star (7º version)
04- i'm not a fool
05- Headbanger
06- Bad man
07- Fighting in the street
08- shitter
09- Here they come again
10- Join the rejects
11- East end
12- The new song
13- Police car
14- Someone like you
15- they're gonna put me away
16- Are you ready to ruck
17- Where the hell is babylon
18- i'm forever blowing bubbles (7º vesion)
19- West side boys (7º version)

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Asta kask
For Kung & Fosterland

tracklist:
01- Mansklig existens
02- Ringhals brinner
03- Hjärndöd
04- PS

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Asta kask
En tyst minut

tracklist:
01- Demokraty
02- Varfor
03- Vietnamn
04- Landsplikt
05- Angest
06- Varfor torg ni min

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Asta Kask
Med Is I Magen

tracklist:
01- Àlkommen he
02- Tv'n
03- Psykopaten
04- Robotar lever
05- Psykiskt instabil
06- Fri
07- Den enes bröd...
08- Till far
09- Inget ljus
10- för kung och Fosterland
11- Sexkomples
12- Dom far aldring mej
13- Det är snett
14- lägg av!

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Asta Kask
Till sista droppen (2000)

tracklist:
01- Folkmelodi
02- Ven kan selga fór untan vind
03- Levande musik
04- Sks
05- Iran
06- I natt jag drömde

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Anti-Cimex
Victims of a bomb raid

tracklist:
01- When the innocent die
02- Warmachine
03- Total silence
04- Cries of pain
05- Raped ass
06- Desperate hours
07- Game of the arseholes
08- Victims of a bomb raid
09- Set me free

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Password : punxpunx-punk

PUNKS!!!

Pada awal kelahirannya

punk memang teridentifikasi sebagai pemberontakan.Pemberontakan Punk dinyatakan dengan pemberontakan semiotik yang diaplikasikan pada fashion dan musik. Namun pemberontakan tersebut pula yang dijual oleh industri dan dijadikan sebagai sumber profit yang dapat dieksploitasi. Hal ini ditandai dengan bergabungnya Sex Pistols, salah satu band Punk generasi tahun 70an, dengan industri musik mainstream EMI. Kemudian pasar industri musik dipenuhi dengan band-band kloning mereka yang merubah subkultur punk menjadi sesuatu yang mapan.

Pemberontakan dapat dibeli.
Akhir dari era Sex Pistols ini, merupakan titik balik sejarah perkembangan Punk. Ketika Punk menjadi komoditas pasar yang dapat dieksploitasi, individu yang terlibat dalam sub kultur ini mengasingkan diri kembali. Sehingga Punk berpindah ke bawah tanah, tetap eksis tetapi tidak terliput mainstream. Justru setelah era Sex Pistols tersebut, Punkberkembang dengan pesat melalui jaringan pertemanan yang independen.

Perkembangan
Punk setelah tahun 70-an ditandai dengan berpindahnya aktivitas Punk dari Inggris ke Amerika. Disanalah scene-scene Punk menjamur. Pemberontakan semiotik telah mengalami banyak perubahan meskipun tidak total. Pada generasi ini, akan sulit untuk melihat Punk semata mata dengan penandaan pencitraan atau imaji belaka (baca: fesyen). Diinspirasi  oleh tulisan-tulisan Situasionis, pemicu pemberontakan May 1968 di Paris, Punk seolah-olah merubah strategi dari semata-mata pemberontakan semiotik menjadi sebuah gerakan gaya hidup tandingan. 
Punk generasi kedua ini memfokuskan pada isu-isu dan aktvitas independen yang lebih 
politis daripada generasi Sex Pistols seperti isu feminisme, gender, pemberdayaan
komunitas, independensi, rasisme, isu anti-perang dan lain-lain. Semua ini merupakan isu
komunal yang beredar diantara komunitas Punk sendiri dalam rangka melawan informasi 
dari budaya mainstream. 
Dengan peranan media mainstream yang meliput Punk generasi Sex Pistols, banyak remaja
yang terjebak miskonsepsi tentang ideologi pemberontakan ala Punk. Banyak remaja yang
merasa cocok dengan image pemberontakan lalu mengadaptasi fashion dan musik Punk.
Sebagian dari mereka hanya ingin tampil beda di masyarakat dengan pemahaman yang 
setengah-setengah mengenai Punk. 
Dengan pemahaman yang setengah-setengah ini, remaja mengartikan Punk sebagai hidup
bebas tanpa aturan. Akibatnya, banyak dari mereka yang melakukan tindakan-tindakan
yang meresahkan masyarakat. Salah satu contoh kecilnya adalah mabuk-mabukan di muka
umum secara bergerombol, meminta uang secara paksa kepada masyarakat, dan lain
sebagainya. Masyarakat yang awam mengenai Punk menarik kesimpulan bahwa Punk adalah 
segerombolan remaja yang berperilaku seperti itu. Didukung dengan hingar bingar musik
Punk dan lirik yang berisi kecaman-kecaman pemberontakan mengakibatkan miringnya 
persepsi masyrakat mengenai Punk. Bahkan ada juga masyarakat yang menganggap Punk
hanya sekedar aliran musik keras belaka. 

Masuknya Punk ke Indonesia
Masuknya Punk ke Indonesia tidak lepas dari pemberitaan media mainstream. Di Indonesia,
kultur Punk dikenal pertamakali sebagai bentuk musikal dan fashion statement. Kultur Punk
telah hadir tanpa substansi sejak awal. Punk tidak hadir sebagai respon keterasingan dalam 
masyarakat modern, melainkan dari sebuah kerinduan akan sebuah bentuk representasi 
baru saat tak ada hal lama yang dapat merepresentasikan diri remaja lagi. Maka tidak
heran, apabila hal-hal yang substansial baru muncul bertahun tahun setelah Punk dikenal 
secara musikal dan fashion statement. Ini adalah sebuah keterlanjuran. 
Di Bandung, secara musikal Punk telah dikenal sejak tahun 70an akhir dimana hal ini 
dibahas dalam majalah remaja Aktuil. Punk juga dibahas dalam majalah Hai pada tahun
80an. Kemudian gaya berpakaiannya juga diadopsi oleh beberapa preman jalannan. Baru di
penghujung tahun 80an bermunculan kelompok-kelompok Punk dari kelas menengah karena 
pada saat itu hanya yang memiliki finansial tinggilah yang dapat mengakses produk dan
informasi kultur ini. Jadi pada kesimpulannya, kultur Punk memang hadir di Indonesia
tanpa hal-hal yang substansial, ia lahir sebagaimana produk postmodern lainnya, lahir tanpa 
esensi. Ada banyak hal yang mendorong terjadinya hal-hal ini antara lain karena gap 
bahasa, gap ekonomi, gap krisis masa muda. 
Meskipun akhirnya substansi Punk hadir di Indonesia pada pertengahan tahun 90an melalui 
akses internet, tak berbeda dengan yang terjadi di negara lain, di Indonesia Punk dianggap
sebagai segerombolan remaja biang onar atau sekedar aliran musik keras yang vokalisnya
meracau tak jelas. Padahal pada pertengahan tahun 90an, komunita Punk di Indonesia
merupakan komunitas Punk dengan jumlah populasi terbesar di dunia. 
Penganut kultur punk (Punks) di Indonesia mulai mengadopsi substansi Punk yang termasuk 
di dalamnya ideologi, etika DIY (Do It Yourself), pandangan politis, dan lain sebagainya. 
Salah satunya adalah gaya hidup positif Straigh Edge yang menolak konsumsi alkohol, rokok,
obat-obatan terlarang, dan perilaku seks bebas.